When I shared my Pyukkleen cowl with you last week, I mentioned I’d do a separate post on choosing colours cos it was a PROCESS. So here I am, about to give you terrible advice for choosing colours when I have zero understanding of colour theory.
It’s winter here, which means I have a shit ton of hand knits to share with you. My latest creation is the Pyukkleen cowl, from Ysolda Teague’s Knitworthy. I’ve knitted so many garments from Knitworthy now that it has its own tag, and Ysolda patterns make up the bulk of my knitted projects. What can I say, I know what I like. Continue reading “Pyukkleen”
It was only a few weeks ago that I shared my Strokkur jumper with you….and now I have another one! You might recall that although I loved the fit and design of the Strokkur jumper, the Lopi yarn I knitted it with was just too scratchy for my liking. So I sold that one, and promptly knitted another.
Now that winter has well and truly arrived, I’m enjoying being snuggled up inside with my knitting. I’ve already shared some garments I knitted last year (Bronwyn and Strokkur), so here are my knitting plans for this winter.
Last I wrote about my Bronwyn jumper, it was destined for the frog pond. With so many issues I couldn’t face ripping and reknitting the sleeves yet again, nor doing the calculations to make them fit the seamed yoke shaping, particularly not in a complex cable pattern. It took some time away for me to realise I couldn’t give up that close to finishing, so I put on my patternmaker hat, finished the sleeve maths and then the jumper itself, an exact year after casting on.
After starting with fair isle hats, the next progression in my colourwork knitting was a yoked jumper. The classic style of a colourwork yoke knit in the round above a plain knit body seems to have been around forever, but it is in fact a fairly recent invention – Bohus-style jumpers appeared in Sweden c. 1940, followed by Icelandic lopi yokes (or lopapeysa) in the 1950s.* They really took off in the 60s and 70s, then as now contributing to Iceland’s national identity and tourist trade.